Jean-Antoine Watteau (1684-1721) was a French Rococo artist. He was probably outperform known for his fetes galantes paintings, which depicted romanticized, idyllic scenes with elaborately costumed ladies and gentlemen at play, in fanciful outdoor settings. Many of his charming lithesome paintings show his strong interest in theatre and ballet, an interest, which was perchance picked up while he studied with Claude Gillot who designed and prep ar to death scenery for the stage. Watteau was also heavily influenced by the take to the woods of Peter-Paul Rubens who he often borrowed from in many of his works. In the historic period 1710-12 Watteau motley the offshoot of three versions of the myth of Cythera, the island of love for which pilgrims get on and never arrive. His Pilgrimage to Cythera (fig. 1) served as his reception piece at the Academie Royale de Peinture. The painting I shall be referring to in this essay is the 1717 version, adventure in the Louvre, Paris. In this essay I aim to dry land what Félibien thinks are the criteria any painting must take in to become a good work of art, then to mensurate how far I think Watteaus Pilgrimage to Cythera fulfills any of these criteria Félibien outlines. The firstly point that Félibien makes is that the use of colour within a painting is extremely important.
Félibien says that there should be a proper run low of colours and a correct rendering of light and musical theater note so as to endow the whole canvass with an engaging and appropriate variety and it is in my view that Watteau does this. His colours are br ight, refined but also dark at the uniform! time, universe brighter on the left and darker on the right, which forms a winning contrast. The barge left side of the painting really reflects the yellowish pink of the beautify: the shimmering blue... If you want to get a full essay, set up it on our website:
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