'Brief Model Comparison of How Conflict is Presented in Act 3 Scene 1 of Romeo and Juliet and The Laboratory Essay\r'

' in spite of being written two centuries after Romeo and Juliet, The research lab by Robert Browning, taken from the 1842 collection, Dramatic Lyrics, researchs many aspects of strife that relate to two the Elizabethan and Victorian societies. write as a dramatic monologue sooner than a play, Browning uses the rime to expose how green-eyed monster and envy lead to a catastrophic build-up of inhering skirmish, which results in her desire kill her rival by poisoning her in the presence of her lover.\r\nHowever, while it is calorie-free that both Shakespeare and Browning are interested in presenting similar aspects of conflict within their respective societies, their glide slope to presenting these conflicts is rather different. Indeed, while Romeo and Juliet was written at the duration as a play that was meant to be performed for an hearing both in theatre and later as a film production, The Laboratory is a poem in the form of a dramatic monologue with a silent listener. \r\nMoreover, although Act 3 sight 1 conveys aspects of conflict done a firmly male dominated scene, The Laboratory is delivered solely from the slur of view of a female. As a result, when equivalence how both texts present conflict, it is important to realise England was a different place in the 19th carbon; the growing industrial r maturation was coupled with in the altogether scientific discoveries, and this meant that society placed less impressiveness on sacred judgement and traditional behaviour.\r\nThis is sooner different to the context of Romeo and Juliet, where an Elizabethan society was rigorously governed by social norms, limiting how people behaved, dolled up and defined their sexuality. Firstly, both Shakespeare and Browning attempt to explore the conflict among religious belief and tendere morality. Both writers use religious imagery to picture the internal conflict amongst religion and human morality building up inside severally genius. Browning use s anti-religious imagery right from the first stanza with the excogitate ‘devil’s smithy’ and later by sarcastically referring to an ‘empty Church, to pray God in’.\r\nOn the contrary, Shakespeare juxtaposes the change in Romeo’s character after Mercutio’s death by separate the line ‘away to heaven respective blessing’ with ‘ good time-eyed fury be my conduct now. ’ While both references were considered blasphemous (against religious belief) in both the Elizabethan era and the Victorian era, Browning makes the blasphemy to a greater extent explicit through the word ‘devil,’ and the juxtaposition between the word ‘empty’ and ‘God’ highlights the growing conflict between scientific development and religious belief in Victorian society.\r\nThis conflict is further fortify by the positive imagery of death created through the oxymoron ‘pure death’. Indeed, in t he 19th century, to a greater extent people lost faith in religious belief, when scientific theories like Charles Darwin’s theory of evolution began to create even more conflict between religion and science in society, so the base of killing someone became both spiritually and morally easier. Yet, because society was stricter in the Elizabethan era, Shakespeare used alliteration in the letter ‘f’ in ‘fire eyed fury’ to add more accent to Romeo’s devilish behaviour…\r\n'