Dbq Regarding the Literary Responses to World War 1 from 1914 to 1928 Essay

Historical Context valet de chambre War 1 (1914-1918) was a fight that was inevitable, but well-nigh entirely underestimated. As the war dragged on for four years and millions of lives were exp deathed in the name of victory, more were greatly impacted culturally, mainly Europeans and Americans. In what was known as the lost generation, many poets and writers developed newly forms of literature in response to the devastating consequences of the war.DBQ spry Identify and analyze the various European and American literary responses to World War 1 created during the war and in the decade after the end of World War 1.Docu custodyt 1- reference point Paul Valry, French poet and critic, The Crisis of the Mind, evaluation of European mind and civilization (1920). --The storm has died away, and still we argon restless, uneasy, as if the storm were about to break. Almost all the affairs of work force remain in a terrible uncertainty. We think of what has disappe bed, and we are almost d estroyed by what has been destroyed we do not know what go forth be born, and we fear the future, not without reason Doubt and disorder are in us and with us. There is no thinking man, however crafty or learned he whitethorn be, who can hope to reign this anxiety, to escape from, this impression of darkness. - memorial 2-Source Roland Leighton, British flatten serving in France, letter to fianc Vera Brittain (1915). --Among this chaos of twisted iron and splintered shade and shapeless earth are the fleshless, blackened bones of simple men who poured out their red, sweet wine of youth unknowing, for nothing more apparent than Honour or their Countrys Glory or another(prenominal)s Lust of Power.Let him who thinks that war is a glorious lucky thing, who loves to roll forth stirring words of exhortation, invoking Honour and Praise and valiancy and Love of Country. Let him look at a little sens of sodden grey rags that cover half a skull and a flicker bone and what might take hold been its ribs, or at this skeleton fable on its side, resting half-crouching as it fell, supported on one arm, perfect but that it is headless, and with the tattered clothing still draped close to it and let him visualize how grand and glorious a thing it is to have distilled all young person and Joy and Life into a foetid heap of hideous putrescence. -Document 3-Source Ernest Hemingway, American author and conduct, The Sun Also Rises, expatriate character adventure (1926). --Youre an expatriate. Youve lost touch with the soil. You get precious. devise European standards have ruined you. You drink yourself to death. You become obsessed with sex. You spend all your time talking, not working. You are an expatriate, see? You hang around cafes. -Document 4-Source F. Scott Fitzergerald, American writer, This Side of Paradise, examines post-war morality with fictional love plot (1920).-I simply state that Im a product of a versatile mind in a restless generation-with every re ason to throw my mind and pen in with the radicals. Even if, deep in my heart, I thought we were all trick atoms in a world as limited as a stroke of a pendulum, I and my sort would struggle against tradition try, at least, to dis mall old cants with new ones. Ive thought I was indemnify about life at various times, but faith is difficult. ace thing I know. If living isnt seeking for the grail it may be a damned amusing game. -Document 5-Source Eleanor Chaffer, French woman, poem Lost Generation published in a newspaper (1921). -- figure not for the flower of innocence in these eyes,- disadvantageously and silently they have looked on death,-Seen terror rain down from incompatible skies,-Learned while yet infants how frail is mans breath.-They have turned from a landscape where the ground-Is poisoned and destroyed give them a toy-And it is held in their hands with no sound-Of childish mirth. This solemn-faced little(a) boy-Is older than his father in his face,-Wisdom is the gho st that forget not leave-The world to him is a wild and dangerous place-No covert here where he may hide and grieve.-Look well on these, and on the world we made-As heritage for them and be afraidDocument 6-Source Wilfred Owen, English poet and soldier, Dulce et decorum Est, addressed to his mother, written 1917, published later (1920) --If you could hear, at every jolt, the parentageCome gargling from the froth-corrupted lungsObscene as cancer, bitter as the cudOf vile, incurable sores on innocent tongues,My friend, you would not tell with such high dispositionTo children ardent for some desperate gloryThat old lie Dulce et decorum estPro patria mori-Document 7-Source D.H. Lawrence, English novelist and poet, Lady Chatterleys Lover, fictional protagonist has a love affair, examines structural morale (1928). --Ours is essentially a tragic age, so we refuse to take it tragically. The cataclysm has happened, we are among the ruins, we start to build up new little habitats, to ha ve new little hopes. It is rather hard work there isnow no smooth road into the future but we go round, or beat out over the obstacles. Weve got to live, no matter how many skies have fallen. -Document 8-Source Kathe Kollwitz, German expressionist artist, The Survivors (1922), by Kathe Kollwitz-.